鄧紹宏 教授

鄧紹宏，哈佛大學東亞語言與文明學系博士，現為香港中文大學中文系助理教授。研究關注華語世界中的生態、科技及媒介，正在進行的英語專書《地綁媒介：華語採掘區的地質纏繞》從資源採掘主義的視角，以跨領域的方法探究四個歷史採掘區中環境與科技、影像與政治之間的動態關聯。其他研究興趣包含：媒介理論、媒介考古學、東亞電影與視覺文化、科技與社會研究，以及批判理論。關於東亞媒介研究的學術論文散見於國際期刊Environment and Planning D: Society and Space、positions: asia critique、Screen、New Review of Film and Television Studies、Journal of Chinese Cinemas、Concentric: Literary and Cultural Studies等，橫跨電影與媒介研究、文學研究、東亞研究、人文地理等領域。亦曾與紐約現代藝術博物館（MoMA）及哈佛電影資料館合作，策劃華語影展單元。

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環境人文 / 媒介理論 / 媒介與地質學 / 華語電影與視覺文化

Edited Volume in Progress

• Tim Shao-Hung Teng and Carol Chih-Ju Lin, eds. Dianying yanjiu zai Taiwan: Kuashidai duihua [Film Studies in Taiwan: Cross-Generational Dialogues]. Taipei: Showwe, forthcoming in 2025.

Refereed Journal Articles

• “Geological Foldings of the Subterranean Mine: Volume, Mediation, and the Oblique,” forthcoming in Environment and Planning D: Society and Space.
• “Archaeology of the Eyeball: Lu Xun, Eye-Gouging Myth, and Ocular Anatomy.” positions: asia critique 31, no. 3 (2023): 541–70.
• “The Motorcycle Diaries of a Topolect Cinema.” Screen 64, no. 1 (2023): 1–21.
• “Time, Disaster, New Media: Your Name as a Mind-Game Film.” New Review of Film and Television Studies 20, no. 4 (2022): 459–88.
• “Murderous Shadows, Terrifying Air: Dr. Caligari in China.” Journal of Chinese Cinemas 14, no. 3 (2020): 223–41.
• “Papa, Can You Hear Me Sing? Reinventing Intermedial Urban Space in Early 1980s Taiwan.” Concentric: Literary and Cultural Studies 43, no. 2 (2017): 57–86.
• “Zheci ta kaishi lüxing le: Hou Xiaoxien Kafei shiguang de yinxing zhuanxiang” [This Time He Travels: Café Lumière and Hou Hsiao-hsien’s Feminine Turn]. Cross-Cultural Studies 2, no. 1 (2015): 135–60.

Refereed Book Chapters

• “From Molds to Energy Vessels: Reinventing the Socialist Subject in the Extractive Zone.” In The Aesthetics of Geopower: Imagining Planetary Histories and Hegemonies, eds. Simon Ferdinand and Colin Sterling, under consideration with publisher.
• “Taiyupian motuoche riji: Weixian de qingchun de tuopu yu dizhi” [The Motorcycle Diaries of Taiwanese-Language Cinema: Topology and Topography in Dangerous Youth]. In Dianying yanjiu zai Taiwan: Kuashidai duihua, eds. Tim Shao-Hung Teng and Carol Chih-Ju Lin. Taipei: Showwe, forthcoming in 2025.
• “Psychic Grannies: Animation and Animism in Turn-of-the-century Taiwan.” In Chinese Animation: Multiplicities in Motion, eds. Daisy Yan Du, John Crespi, and Yiman Wang. Cambridge: Harvard University Asia Center, 2024. 127–53.

Selected Essays, Book Reviews, Program Notes

• Review of Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor by Lisa Yin Han, forthcoming in Media+Environment.
• “Lianai yu yiwu: Cong dangdai xiufu kan zaoqi dianying de xingbie, laodong he qihou” [Love and Duty: Rumors and Tears on Screen, Labor and Climate in the Studio]. Fa: Film Appreciation Journal 197 (December 2023): 92–101.
• “The Politics and Pedagogy of East Asian Cinema at an American University.” New Review of Film and Television Studies blog, August 2022.
• “Tabooed Initiation: Two Early Films by Mou Tun-fei.” Program Notes for the Harvard Film Archive, January 2022. Coauthored with Shaowen Zhang.
• Review of Information Fantasies: Precarious Mediation in Postsocialist China by Xiao Liu. Critical Inquiry 47, no. 4 (2021): 799–801.
• “Cities of Love and Sadness: Rediscovering Taiwanese-language Cinema of the 1960s.” Program Notes for the Harvard Film Archive, March and April 2021. Coauthored with Shaowen Zhang
• “Cong dangguo dao kuaguo: Wuganyuan de dianyingshi du hou.” Review of Wuganyuan de dianyingshi: Cengjing, Taiwan youge Haolaiwu [Once upon a Time in Hollywood Taiwan] by Chih-heng Su. Funscreen 672 (July 2020).
• “Documenting Taiwanese Modernism: Le Moulin’s Untimely Historical Project.” Taiwan Insight, September 2019.